Circle of Willis
Well-known member
Honestly, this season feels not only like filler but also like so much pandering. It's also the season that has convinced me, more than anything, that CRWBY are absolutely lying when they insist that they're still following Monty's vision. Bumblebee - this particular ship being canonized doesn't come as a surprise to me (I still hate it not only because it's been forced as all hell but also b/c it's a black hole that has aggressively sucked away the personalities of all characters impacted by it & panders to the most vitriolic, deranged elements of RT's shrinking fanbase, but that probably deserves its own post) but what does is this bizarre insistence that it's been planned from the beginning.
The man was a mad genius when it came to animating, but as has been discussed to death before, when it came to storytelling he changed plans as often as we change underwear & had a habit of cramming stuff in at the last minute b/c he thought it was cool, even if the rest of CRWBY protested. But even setting that aside, are they really trying to convince people that such a creator had meticulously planned for Blake to practically get together with Sun in all but name for volumes on end, including literally having him meet her parents, only to then have Sun vanish from the story six volumes in so she and Yang (who openly expressed interest in boys in the volumes produced while he was still alive) can engage in awkward and obvious will-they-or-won't-they drama for three more volumes before finally being magically compelled into confessing & kissing in an alternate dimension, and in an incredibly contrived scenario where they had to be isolated from everyone and railroaded into doing so no less? Who the fuck do they think they're kidding???
Also, I didn't like the increasingly dark turn this series took since V3, but last Saturday's episode felt incredibly jarring even by the standards of post-Fall RWBY.
I really don't like the 'Monty would've wanted to do X!' line because it isn't a pleasant thing to do, using a dead man's name to try to win an Internet argument. But between the FNDM's outrageous eagerness to stoop to this tactic to shit on MoistCr1tikal for daring to mildly criticize the current state of the show, while hypocritically bashing any critic they perceive to have even approached that position in their criticisms, and the above creative choices - well. At this point I still can't and won't claim I know what Monty Oum wanted for RWBY, but I have gained a certain confidence in the notion that this was not it.
All that said, at least the memes have been good. Best part of the volume, IMO.
Just give it a little time, Zaslav/Warner Bros-Discovery haven't greenlit Volume 10 yet. Considering that every past volume was consistently greenlit pretty much as soon as or even before its immediate predecessor dropped, and how WBD is becoming quite infamous for axing more popular animated shows and even finished expensive films like Batwoman left & right, that's a really bad sign. I think RWBY has until the Justice League crossover (yeah that's a thing) drops before the bottom finally falls out of not just the show but Rooster Teeth as a whole, because frankly they aren't worth squat outside of RWBY these days.
The man was a mad genius when it came to animating, but as has been discussed to death before, when it came to storytelling he changed plans as often as we change underwear & had a habit of cramming stuff in at the last minute b/c he thought it was cool, even if the rest of CRWBY protested. But even setting that aside, are they really trying to convince people that such a creator had meticulously planned for Blake to practically get together with Sun in all but name for volumes on end, including literally having him meet her parents, only to then have Sun vanish from the story six volumes in so she and Yang (who openly expressed interest in boys in the volumes produced while he was still alive) can engage in awkward and obvious will-they-or-won't-they drama for three more volumes before finally being magically compelled into confessing & kissing in an alternate dimension, and in an incredibly contrived scenario where they had to be isolated from everyone and railroaded into doing so no less? Who the fuck do they think they're kidding???
Also, I didn't like the increasingly dark turn this series took since V3, but last Saturday's episode felt incredibly jarring even by the standards of post-Fall RWBY.
Ruby herself, the ever-chipper and optimistic titular heroine of the story, gets broken down and driven to unambiguously commit suicide? This firstly comes across like pandering to the more critical fans who wanted her to face some comeuppance for her role in driving Ironwood insane and the fall of Atlas, although I really really doubt most if any of them wanted it to go this far. But secondly it doesn't feel like the kind of story Monty would have thought of in a million years, at all. I haven't seen or heard anything by the man, either in interviews or in his early work, that suggested he had enough of a dark side to ever conceive of beating his peppy, upbeat, Pollyanna-esque teenage girl protagonist down to the point where she kills herself.
But you know what this does feel like? Gen;Lock season 2, where infamously a fan-favorite character kills herself via nanobot disintegration and gets a powerup from doing so. Wasn't it just two episodes ago that WBY were chiding Jaune for keeping the Paper Pleasers from dying and being reincarnated per Ever After's rules? I mean I guess RT could still subvert our expectations in the two remaining episodes (at this point I'd only be truly surprised if they left Ruby dead for good), but it really feels like they're about to go the Gen;Lock route instead. And between this, Gen;Lock and Penny's assisted suicide in V8 I really don't think CRWBY/RT are able to handle themes of suicide with any more grace & competence than 13 Reasons Why, in fact given how much they've basically glorified it I'm starting to think maybe some of the writers need to book a therapist.
But you know what this does feel like? Gen;Lock season 2, where infamously a fan-favorite character kills herself via nanobot disintegration and gets a powerup from doing so. Wasn't it just two episodes ago that WBY were chiding Jaune for keeping the Paper Pleasers from dying and being reincarnated per Ever After's rules? I mean I guess RT could still subvert our expectations in the two remaining episodes (at this point I'd only be truly surprised if they left Ruby dead for good), but it really feels like they're about to go the Gen;Lock route instead. And between this, Gen;Lock and Penny's assisted suicide in V8 I really don't think CRWBY/RT are able to handle themes of suicide with any more grace & competence than 13 Reasons Why, in fact given how much they've basically glorified it I'm starting to think maybe some of the writers need to book a therapist.
I really don't like the 'Monty would've wanted to do X!' line because it isn't a pleasant thing to do, using a dead man's name to try to win an Internet argument. But between the FNDM's outrageous eagerness to stoop to this tactic to shit on MoistCr1tikal for daring to mildly criticize the current state of the show, while hypocritically bashing any critic they perceive to have even approached that position in their criticisms, and the above creative choices - well. At this point I still can't and won't claim I know what Monty Oum wanted for RWBY, but I have gained a certain confidence in the notion that this was not it.
All that said, at least the memes have been good. Best part of the volume, IMO.
I’m consistently and honestly baffled that this dumpster fire has drunkenly stumbled its way through nine seasons.
Actually decent anime have problems getting two seasons, while this thing has managed to somehow keep itself above water for nine. That’s not even getting into the fact that some actually good shows manage to tell their stories within two or three seasons.
Methinks Rooster Teeth has never heard the saying “brevity is the soul of wit”.
I’m actually super salty about this as well. I liked rwby for the first four seasons. I’d even go as far as saying the Fall of Beacon is one of my favorite finales to a season in western animation.
The story and world had so much potential, but it’s like the script writers didn’t know what they wanted to do with them. So they just decided fuck, throw everything that we can think of in to it.
Which is how a show originally about a team of badass girls fighting monsters and terrorists, turned into a story about fighting an immortal, reincarnating wizard’s immortal, corrupted ex-wife to prevent her summoning a couple of dead beat gods/destroying the world.
…And then an Alice in Wonderland based season for some reason. Characters that could have been interesting got turned into strawmen parodies of themselves. Looking at you Adam.
Characters that were interesting, Ironwood, got the same treatment. A character whose death was actually super shocking and sad got revived only to get killed off again for no real discernible reason.
I repeat, I used to like this show. But it is in severe need of an editor to trim it down.
Just give it a little time, Zaslav/Warner Bros-Discovery haven't greenlit Volume 10 yet. Considering that every past volume was consistently greenlit pretty much as soon as or even before its immediate predecessor dropped, and how WBD is becoming quite infamous for axing more popular animated shows and even finished expensive films like Batwoman left & right, that's a really bad sign. I think RWBY has until the Justice League crossover (yeah that's a thing) drops before the bottom finally falls out of not just the show but Rooster Teeth as a whole, because frankly they aren't worth squat outside of RWBY these days.