Anime & Manga RWBY General discussion thread.

Circle of Willis

Well-known member
Funny thing is, I'm pretty sure Rooster Teeth never realized that they were writing the main characters to be bad people; and that likely is indicative of the sort of people they are.
I've seen an interesting argument that even more-so than Jaune for Miles Luna, Blake and Yang were self-inserts for their respective VAs (Arryn Zech and Barbara Dunkelman). Didn't pay it too much attention when I first saw it years ago, but it does seem to ring more true now. Arryn is bisexual, used to date Miles (who's fetishized lesbians and said he didn't mind Arryn making out with other girls b/c that's hot on a...podcast, IIRC? That was weird af) and said that she used to be in an abusive relationship (not with Miles presumably since otherwise she probably wouldn't work with him, as this was also the reason she gave for attacking Tow Ubukata online) - and guess what, Blake turns out to be bi, while Adam was retconned into being her ex-boyfriend and pure evil. She seems to project a lot onto her character and so does Barbara unto Yang for that matter, with Yang becoming increasingly abrasive and hypocritical over time but never getting punished for it. Barbara is in a position to directly affect the writing as RT's Creative Director and both are also huge Bumblebee pushers IRL, they've read smutty Bumblebee fiction on stream before and dropped a Bumblebee-themed OnlyFans shoot right around the time of the V9 kiss (most probably planned in advance). Both have even tried to get into alphabet soup activism as well, even.

Coupling these self-insert tendencies with their seniority at RT, the long history of workplace abuses and assorted scumbaggery like their mistreatment of Shane or haste in kicking Vic Mignogna, Arryn's own online misbehavior (culminating in her bashing Tow Ubukata over a long-resolved, very personal matter for no apparent reason beyond wanting to accumulate Twitter clout) and Barbara's position in the leadership of Rooster Teeth...yeah, I'm not one to exhaustively psychoanalyze real people, but it does seem like more than a few things were rotten with those two behind the scenes. All that said, I actually haven't heard any major controversy involving Lindsay Jones (Ruby's VA) or Kara Eberle (Weiss' VA), so if RWBY is acquired by a studio that's at all interested in rehiring even part of the old cast to reprise their roles in the future, those two are probably the most likely to get a call simply on the basis of being easier to work with/not as much of a PR nightmare as the other half of Team RWBY's voice cast.

Anyway, the real-life cast aside, I've given some thought into how to portray Ironwood to follow up on my previous thoughts re: Jacques Schnee. As I said before I'd rather just can the entirety of the Atlas arc CRWBY came up with, it was a poorly thought out analogy to (what CRWBY thinks happened with) the 2016 American election and horribly butchers Ironwood in particular (which, hmm, given that the writers have said that his loss & replacement of body parts signified him losing more of his humanity and that his Semblance is basically Turbo Autism...does this not seem even a little 'ableist' to anyone else?). I believe he'd be best employed as an apolitical, supremely disciplined hardass of a commander, perfectly happy to leave politicking to the politicians while he sees to the defense of Atlas and eventually all of Remnant. He would certainly prioritize the needs of the soldiery over everything else and argue in favor of a huge military budget to make sure he, and they, had all that which he thinks they need to fight the Grimm, White Fang, etc. which combined with his veterancy makes him hugely popular with his men, even if the Atlas Council disagrees; Winter seems to greatly respect him until very late in the show and I wouldn't change that. Weiss also seemed to like and respect him for the most part canonically, so perhaps he's on good terms with all the Schnees in general.

If Ironwood butts heads with the civilian leadership it'd be because he thinks they aren't taking the defense of Atlas sufficiently seriously, and if he decides to get mixed up with the electoral process, Jacques being his old buddy from their Huntsman days & pledging to divert more funding into the military should be his reasons for endorsing the latter. Ironwood's ties to Ozpin and additional leadership figures in the other kingdoms making him the guy they go to first when they need something from Atlas, rather than the Council, could serve as another bone of contention between him & the civilians. He might be inclined toward a sort of military paternalism if the civilian politicians demonstrate themselves to be hopelessly incapable of leading in a crisis, but even then as a stickler for the rules and viewing the military as sworn defenders of the Kingdom of Atlas, he wouldn't be the type to just launch a military coup because he thinks he knows better. Instead he'd prefer working through civilian allies/figureheads like Jacques if he can or, worst comes to worst, having these allies abdicate power to him entirely constitutionally & legally (akin to how Douglas MacArthur can be made an emergency chief executive by Congress & President Hoover in Kaiserreich/Kaiserredux for the HOI4 players), at which point he'd govern as an emergency authority after making an explicit promise to hold new elections & return power to the civilian leadership once the crisis is over.

As far as racial/WF politics goes, I'd favor the position that Ironwood is honestly non-racist and has a purely meritocratic view on the subject. Discriminating against the Faunus gets in the way of combating the Grimm, hurts national stability by giving the Faunus underclass more reason to resent & work against the existing order, and makes it harder to work with capable Faunus; therefore it's bad, simple as. If you're a good and loyal fighter you'd be good in his book, no matter whether you were human or Faunus. This could serve as a point of contention in his otherwise wholly friendly relationship with Jacques, with the latter being made out to be either a genuine racist or someone who panders to racists (both for votes and to avoid having to pay the SDC's Faunus workers much, if at all). He'd have no problem with employing & treating as an equal someone like Neon Katt who's provably an able fighter and can pull their own weight (hell it's not even implied that he has a problem with her canonically!), but would have no tolerance for lawbreaking and terrorism (especially not terrorism aimed at overthrowing his country), thus making him an intractable enemy to the White Fang and all who would help them. His meritocratic approach would also certainly rule out his support for anything resembling reparations, affirmative action or other special treatment for Faunus, no matter how much they grouse about past injustices.

Thus while Weiss likes Ironwood, Blake might well see him as the living avatar of ruthless Atlesian militarism and the hard power that's holding up the unjust system, no matter his personal opinions (if anything, him wanting to remain apolitical would mean he doesn't think it's his place to tell the politicos what to do re: anti-Faunus discrimination, making him even more of a problem to Blake). If a more personal reason for mutual antagonism is needed between them, perhaps Ironwood fought in the war over Menagerie as a younger man, it may have even been his first independent command. Ironically, if Ironwood ever did become Atlas' military dictator, Blake might come to respect him more as he wields his newfound authority to chop through political red tape & grant the Faunus of Mantle equal rights in exchange for their total cooperation in fighting the Grimm (or whatever other threat made it necessary for him to assume emergency powers in the first place), while Weiss would be horrified at what she perceives to be his trampling of constitutional procedures & the rule of law even if she agrees with his aims.
Grimm need to be totally reworked as well, more of the "every fairytale monster ever" theme than "dire animals". As it was they were utterly generic and lame.
Can't argue with that. People seem to like the Apathy Grimm from V6's Brunswick Farms precisely because of how unique it was. Even if it may be difficult to implement fairytale-themed Grimm everywhere, I think they could at least serve as more intelligent miniboss/lieutenant-type enemies who'd present a greater challenge to the heroes than the 'dire animal'-type fodder from time to time. Honestly, more fairytale allusions outside of the trailers would be nice, though they certainly don't need to go to the lengths of V9 either. Like having Yang be the first to take on the Ursa Major rather than Jaune because it's a bear-type Grimm and she's nominally based on Goldilocks, for example.
 

Navarro

Well-known member
Can't argue with that. People seem to like the Apathy Grimm from V6's Brunswick Farms precisely because of how unique it was. Even if it may be difficult to implement fairytale-themed Grimm everywhere, I think they could at least serve as more intelligent miniboss/lieutenant-type enemies who'd present a greater challenge to the heroes than the 'dire animal'-type fodder from time to time. Honestly, more fairytale allusions outside of the trailers would be nice, though they certainly don't need to go to the lengths of V9 either. Like having Yang be the first to take on the Ursa Major rather than Jaune because it's a bear-type Grimm and she's nominally based on Goldilocks, for example.
Yeah, we always need mooks, but fairytale-style villains as lieutenants/miniboss types would be better. The Apathy was interesting but it came too late to really do anything.
 

Terthna

Professional Lurker
Yeah, I don't see that happening at all. Volume 10 was never greenlit, and now RT itself is dead, precisely because they had blown all their chances and could never find 'potential partners' to invest in it & keep them afloat any longer - not Crunchyroll, not anyone else. If somebody were to buy the RWBY IP from Warner, the chances that they'd keep the old team on board or probably even consult with them are nil IMO, maybe they could have a chance if they had a decent reputation as creatives & professionals but that has definitely not been the case for years at this point. Crunchy, the Japanese, DillonGoo Studios, etc. will all bring their own teams and ideas to the table and I can't see any of them being interested in picking up where CRWBY left off, especially since there's no way V10 can even be the end of RWBY unless it's the most rushed and unsatisfying ending since GoT; why spend millions on acquiring a new property just to shackle yourself to the team & core story that ran it into the bedrock in the first place? Much easier to just reboot. I don't even see RWBY surviving as part of DC either, apparently those Justice League crossovers bombed (and from the timing, in hindsight I'd imagine their bombing was the last straw for Zaslav which got him to can RT entirely).

RT have burned too many bridges with their prospective partners and generated a reputation for controversy at best to have any role in RWBY going forward (assuming it doesn't just get left in a vault to languish forevermore by WBD) IMO. Their dirty laundry's come to light over the past couple years and it's going to represent not just a financial drain but also a PR nightmare for any sensible company. Even bringing back a few of the VAs, who are the most likely to get to reprise their role in any future RWBY 2.0 due to their high profile, is dicey depending on who gets the IP - if it's the Japanese they won't have forgotten Arryn Zech picking a very public fight with SHAFT's Tow Ubukata & dredging up his allegation of domestic abuse for no real reason (a blacklist-worthy offense in the anime industry and for good reason), and if it's Dillon & Shane, well. CRWBY burned their bridges, poisoned the streams below and raised up yuge not-so-beautiful walls at the ends with those two through their ill-treatment of them a very, very long time ago.

Nah, this frankly this just seems like pure cope from Kerry, nothing more. He himself probably knows it's never actually going to happen, if RT had a chance of pulling off what he claims they're trying to do they wouldn't be in this position in the first place.
The diehard fans are buying into the cope, though.

It'll probably be years before the reality of the situation dawns on any of them; if it ever does.
 

Free-Stater 101

Freedom Means Freedom!!!
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As someone who basically had the show help me become who I am. Most of them became bad people over the entire series. With jaune being the most normal of the cast. Yang and Blake being....the worst in character development next to Ruby herself.

Can we get a spin off slice of life with just Jaune growing up as a kid? Him and his...7 sisters?
I think Weiss's character arc cannot be spoken any higher of, it's saying that she got her own anime spinoff over anybody else on the team as a testimony to how much we enjoyed her.

I always however maintained that Blake should have died during the Fall of Atlas but CRWBY bending over backwards for the Bumblebee crowd ensured her continued relevance, I mean writing wise her character is completely tied into the lackluster White Fang subplot and once they killed Adam that subplot lost all relevance.

Now I am not arguing a character needs to have a sub-plot to remain relevant but if their literal being as a character is tied into that subplot steps should be made to move beyond it, Blake at the very least should have had a moment in proceeding volume's where she asked herself what she was even doing now and wondered why that was.
 

Zachowon

The Army Life for me! The POG life for me!
Founder
I think Weiss's character arc cannot be spoken any higher of, it's saying that she got her own anime spinoff over anybody else on the team as a testimony to how much we enjoyed her.

I always however maintained that Blake should have died during the Fall of Atlas but CRWBY bending over backwards for the Bumblebee crowd ensured her continued relevance, I mean writing wise her character is completely tied into the lackluster White Fang subplot and once they killed Adam that subplot lost all relevance.

Now I am not arguing a character needs to have a sub-plot to remain relevant but if their literal being as a character is tied into that subplot steps should be made to move beyond it, Blake at the very least should have had a moment in proceeding volume's where she asked herself what she was even doing now and wondered why that was.
I think had they continued her plot with Sun over Yang it would have been better honestly.
Sun was a much better love interest.

And honestly I think Jaune being with Weiss would help both characters heavily
 

Free-Stater 101

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I think had they continued her plot with Sun over Yang it would have been better honestly.
Sun was a much better love interest.

And honestly I think Jaune being with Weiss would help both characters heavily
I am not talking about shipping that is a different subject, just saying that Blake has been useless as a character the last few volumes and that wouldn't change regardless of who she got with.

Sun is an okay character but let's be honest his character was wed to Blake and the White Fang as an Arc so by default he was doomed to become irrelevant the second it was over especially when unlike Blake and Yang he wasn't a main character, nor did he have a rabid part of the FNDM pushing to keep him around for a romance with her, if anything it was the reverse that is why he and Neptune where ditched again after Volume 5.
I rarely if ever follow the cast of RWBY so a great majority of this shit is news to me but holy cow!
 

Zachowon

The Army Life for me! The POG life for me!
Founder
I am not talking about shipping that is a different subject, just saying that Blake has been useless as a character the last few volumes and that wouldn't change regardless of who she got with.

Sun is an okay character but let's be honest his character was wed to Blake and the White Fang as an Arc so by default he was doomed to become irrelevant the second it was over especially when unlike Blake and Yang he wasn't a main character, nor did he have a rabid part of the FNDM pushing to keep him around for a romance with her, if anything it was the reverse that is why he and Neptune where ditched again after Volume 5.

I rarely if ever follow the cast of RWBY so a great majority of this shit is news to me but holy cow!
For Blake, I think having had her snd sun would have worked wonders because it would allow for that aspect of perhaps having a white fang alternative to arise. Eventually leading a group to defeat them, ending with Adam's death and a way she can have a send off and still be alive.
 

Zachowon

The Army Life for me! The POG life for me!
Founder
I met a good bit of them at cons though.
Spent hours talking yo Oscar's, Ozpins, Pyrrhas and Nora's VA.
Talked a good deal with RWBY and Winter talking. Not as long as the first though.
Spent a good time talking to Vernals.

Met a few when I went to RTX and had them sign my shield.
 

DarthOne

☦️
I met a good bit of them at cons though.
Spent hours talking yo Oscar's, Ozpins, Pyrrhas and Nora's VA.
Talked a good deal with RWBY and Winter talking. Not as long as the first though.
Spent a good time talking to Vernals.

Met a few when I went to RTX and had them sign my shield.

That’s not saying much. A entertainment celebrity’s public persona is very, very, very rarely who they really are. Same goes with most politicians. If you think they actually care about you beyond their own purposes, you’re probably deluding yourself.
 

Zachowon

The Army Life for me! The POG life for me!
Founder
That’s not saying much. A entertainment celebrity’s public persona is very, very, very rarely who they really are. Same goes with most politicians. If you think they actually care about you beyond their own purposes, you’re probably deluding yourself.
Oh I believe it.
I am not saying they cared or anything.
Just that I met a good bit of them with no distaste in my direction.

Of course they are completely separate in thier personal lives.

Some of the cast, especially ones like Vernals VA, who were around for a season, mostly just did it as a normal VA gig.
 

Free-Stater 101

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Never meet your heroes. Especially if they are leftists.
Calling them 'my heroes' is a bit far in my case, they are voices for characters whom I like, and I can praise a good performance even if they are terrible beings, in this case it doesn't change by opinion on the show at all, it just reaffirms my belief that when one is into films it is solely the ability of an actor that one should admire.

Seriously I never understood people who follow actors into their personal life and hang off their every word as if they are deities, I respect some actors off screen, but it is primarily their performance on the screen that I am interested in.
 
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Circle of Willis

Well-known member
I rarely if ever follow the cast of RWBY so a great majority of this shit is news to me but holy cow!
Yeah, generally I didn't pay much attention to the people working behind the scenes on RWBY even after the bombshell that was Shane's letter (that just got me to tune out of RWBY entirely for some time), but it became pretty much impossible for me to not start seriously looking behind the curtain out of sheer morbid curiosity if nothing else after the workplace abuse allegations went public a few years after that. Things like Arryn picking a fight with the Ice Queendom writer also didn't help. And wow, after seeking out more critical information from those Glassdoor reviews and places like r/RWBYcritics, I'm honestly amazed that RT lasted as long as it did. The cozy 'we're all friends hanging out & having fun together' feel from early RT definitely seems to have died a horrible death long ago.

As a rule I try to separate the artists from the art, but that becomes difficult when they seem to treat the characters they play as self-inserts the way Blake & Yang's VAs seemed to. And even more-so when I really have to start asking what people like the latter, Barbara Dunkelman knew about the aforementioned workplace abuses (considering she's a longtime company veteran and works in a senior leadership position at RT), when they knew it and how much of a hand they had in it themselves.
 

Captain X

Well-known member
Osaul
Can anyone give me a good Tl;DR summary about this stuff? What problem exactly did Rooster Teeth have with the creator of this show and his wife? What are these workplace abuses?
 

Circle of Willis

Well-known member
Where to begin...the workplace abuses first came to light with a bunch of ex-RT people airing their grievances by way of a wave of negative Glassdoor reviews around 2019 or so, a compilation of which was archived here. Tl;dr management crunched the hell out of the workers, pushing for 70-80 hour weeks (10-12 hour workdays, every day) with tight deadlines again and again, put them in a toxic & unprofessional working environment with high school-y cliques that were never punished for crapping on other workers, wouldn't pay them for hundreds of hours of overtime (resulting in as much of 1/3 of the latest RWBY seasons at the time - would've been Volumes 6-8 IIRC - and Gen:Lock being effectively made for free), underpaid them for the amount of work demanded of them, tried to get out of giving benefits or raises or even time off, and lied about this treatment being a stepping stone toward permanent full-time positions for contractors.

Matt Hullum, one of the founders of RT and its CEO at the time, released a statement acknowledging & apologizing for these abuses (also in the above archive). However, conditions at RT barely improved at all, the bad work environment persisted and at least one artist who worked on RWBY's V9 reported still being underpaid for brutal crunch time by incompetent management (although, as she notes, at least she got paid that time), staying so mad about it that she recommended pirating the season. Shortly after the release of V9 and failing to find any partner to help them greenlight V10, RT laid off tons of staff including pretty much its entire animation department (since they had no work to do with no production on V10 happening), converted most remaining full-time positions with benefits into contractor ones without (see an example here, another example here or people talking in the comments here), and then had the audacity to open up applications for replacement positions, most of which were now reduced to internships. (Unsurprisingly, they then made basically nothing of note until the shutdown happened shortly after)

Georden Whitman, creator of Nomad of Nowhere, confirmed the allegations of workplace abuses and that RT preferred to just sweep problems under the rug as much as possible rather than address them. I've talked about this before in this very thread, but he and other ex-RT employees who worked on Nomad of Nowhere have also stated that that project was indeed massively screwed over by Gray Haddock, then-producer & animation head at RT, in favor of Haddock's own pet project Gen:Lock, only for it to bomb anyway (and still take Nomad down with it).

RT did not, to my knowledge, have much of a problem with Monty Oum himself (outside of his tendency to come up with new characters/scenes on the fly and then try to push them into already-written outlines). But they did have a huge problem with his disciple & animation partner Shane Newville and his wife Sheena (née Duquette), who they boxed out of RWBY and the company as a whole with zero sympathy pretty much immediately after he died (to add insult to injury, they did this at a very dark time in both individuals' lives - Shane was going through a nasty divorce and the strain of that + losing his best friend obviously hurt him very badly emotionally & mentally, while Sheena of course had just lost her husband). Shane published a 36-page open letter airing his grievances (including citations of shady-at-best workplace treatment from RT which we can now be sure both happened and persisted long after his sacking based on stuff like the Glassdoor reviews above, as well as RT's blunt but unexplained dislike toward Sheena) which Sheena later retweeted, but both have since remained quiet about the topic and seem to have just tried their best to move on with their lives. Notably Shane, as I have said before, now works with Dillon Gu (another ex-RT animator & Monty fanboy who worked there shortly before his expulsion, as is also mentioned in the letter) at the latter's studio making fan animations for Genshin Impact, Arknights, etc.

Finally, for those who have the time to watch, here's a nearly 2 hour video on various topics related to the decline of Rooster Teeth. The working conditions & Glassdoor reviews are included but it also goes into a bunch of stuff that I didn't in this here post, like the allegations of senior RT figures such as Adam Kovic & Ryan Haywood grooming & sleeping around with so many under-18 fangirls that a literal spreadsheet had to be made to document it (there was much more proof provided for that controversy than the similar accusations against Vic Mignogna which got RT to help get #KickVic rolling, BTW).
 

Zachowon

The Army Life for me! The POG life for me!
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From what inunderstand, the animation at RT were horribly overworked.
While you had editors and the like for groups such as AH, generally being better off due to the nature of it all.

So yeah, shady buisness practices
 

Circle of Willis

Well-known member
The business with Sheena Oum is one of the big unanswered mysteries behind the scenes at RT/RWBY. Sheena herself seems to have kept an extremely low profile after Monty's death and her being cut out of RT (even moving to the other side of the country as Shane notes, the last remotely notable RT-related thing I remember her doing was retweeting Shane's letter when it first came out), while the CRWBY in turn have definitely never cared to even once bring her up in the years since to my knowledge. The implication I got from Shane's letter is that she was a victim of the latter's ego-tripping & clique politics: in the end she was very bluntly told that there was no place for her in RWBY going forward (though she had been Monty's confidante and was originally supposed to be the VA for Winter Schnee, Weiss' big sister) and that was that.

Since I'm obviously not privy to these conversations, I can only guess at what's going on here. But from the circumstances & how this proceeded I think the most likely cause behind that could've been a combination of her not being willing to go along with whatever deviations Miles, Kerry et al. had planned + them simply not liking her as a person IRL for whatever reason (clashing personalities, perception that she was a Monty hanger-on, differing choice of favorite pizza toppings, whatever). Her great offense seems to have been getting in the way of CRWBY making RWBY their show (one now driven firmly by the writers, not the animators - which was to say, Monty and to a lesser extent Shane) and that couldn't be allowed to stand.

Shane's letter said:
Sheena Duquette-Oum
I felt I was being forced into isolation and pushed into secrecy about Sheena. I dealt with it
because I knew that she was a major… no, the most important part— the key person we
needed in order to truly move forward with RWBY, while keeping the show intact. Bringing her
into Rooster Teeth so she could be an official part of the production was the best shot we had to
do things right. One of the biggest reasons I felt this way is because Monty included her. He
had her stay at his side as he worked because he wanted her there. She assisted him however
she could. She cared so much and she wanted this as well, and not because she felt entitled or
that she had something to gain from it. Hell no! She was there for love.
As hard as it was for her being alone, she was more ready than anyone to pick herself up and
do everything she could in Monty's stead. Not to mention she is also a professional more
qualified than most of the people who got hired on as contract workers for the show. She cared
Page 16
An Open Letter to All Who Treasured Monty Oum by Shane Newville

about keeping Monty's show as Monty's show. For him! Not her. She had already done so
many things completely uncredited in Volume 2, for Volume 3, and for future volumes as well.
She knew the RWBY universe better than any of the people who still "officially" worked on the
show.
Why? Because she was right there next to Monty. Why?
Because that's right where Monty wanted her.
And when Rooster Teeth made her feel uncomfortable and unwelcome at the office, Monty
began working from home so she could stay next to him— where she deserved to be.
If Monty believed in her enough to have her at his side and trusted her enough to include her,
then I sure as hell believe in her 100% and without a doubt.
There were, without question, many gaps in the story and a lack of understanding of the RWBY
universe amongst those in production. There were many characters only she and Monty (and
certain close friends) knew the exact purpose of. Without her being an official part of the show,
what was left but to make things up as we went and to fill the gaps with new ideas? Ideas that
did not fit the vision and plans of the one who made the show to begin with. Even if she did not
have Monty's skills, as no one does, she's the closest thing to Monty's mind that exists in the
world we live in. As terrified as I was of the thought, I was even ready to take on the role of
director of the show. I would only do it with her there, because I wanted to ensure Monty's
legacy was kept intact.
Everything was there. All the details. All the plans. All the events, story, characters, meanings,
etc. So much had already been thought out and meticulously planned by Monty with Sheena at
his side. But Rooster Teeth was so bent on keeping her out of the picture that it didn't matter
how much the show might suffer, or how much things would stray from Monty's vision as a
result. The intentions, the characters, the weapons… so many parts of it had depth and
meaning, but now the people running things and calling the shots had only a partial or no idea
what the original plans were.
Several times I suggested contacting Sheena to find out what certain things meant in the RWBY
universe, or why certain events were supposed to take place… but just even mentioning her
name around them felt like saying an unforgivable curse word.
Throughout the next 4 months of politics, one by one, the people Sheena and I thought we
could trust turned out to be a part of the decisions being made. She finally left Texas— moving
across the country after being told,
Page 17
An Open Letter to All Who Treasured Monty Oum by Shane Newville

"Trying to find a place for you to work on RWBY is like trying to fit a square
peg into a round hole".

It was clear that honoring Monty, protecting his legacy, and his vision were not important. Well,
it was important to appear that way to the public, but internally RWBY was just another
company IP. I reminded them on several occasions that one of the biggest reasons RWBY was
popular was because it was Monty's show, but it was clear they believed otherwise. They felt it
was their great team that was responsible for RWBY's popularity, and for making the show
better than it has ever been.
They pride themselves in what they have accomplished without Monty in the picture.
Of course without him things were bound to go off in another direction eventually. But Monty left
RWBY in such a way that if only someone had dropped their pride and stopped treating Sheena
like a nobody, or as a threat to their power… we would have been able to keep things intact for
quite a while.

If internal politics and differences were indeed the case for Rooster Teeth telling Monty's widow to her face that there was no place for her in the world he made in such a blunt & cold manner, just four months after his death - and it certainly does seem like the most likely reason IMO - well that's certainly ridiculously petty, stupid and unnecessarily cruel of them I'd say. But knowing everything else we know about RT now, 'ridiculously petty, stupid and unnecessarily cruel' seems to be the basic MO of Rooster Teeth management.
 

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