Well, ladies and gents, I said I would post this scene and after banging my head like a madman, I got this scene mostly done. Had to dig through some of my old soundtracks to get the other piece... you wouldn't believe how
rare the harpsichord is in music. I mean outside of
Fire Emblem, there is only one other that fits the setting of Falmart, so to speak.
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Fort Portal, Business Quarter; October 5th, 2017
The amount of businesses in the “Iron Pact’s” castra is something different compared to the Saderan Mondi Operus when it came to castra. The basic principles stayed the same, but the design and layout were radical by
anyone’s metric here in Falmart. The biggest difference is the various shops
not operated by the legions, like the one I am entering right now. Now, from what I have been told in the tour, this is a music shop and while it was hard to settle in, I never got to looking through the store. It would be a change of pace to simply look at how my
other doctorate in musical science applies to those of the other-worlders.
As I entered the store, a tone signaled my entry into the store… something that I note that stores in our and their worlds apparently share quite a few things in common. There was a man at a circular desk, overseeing much of the store while talking to a customer as several other people simply made sure everything was in order, something that both civilizations shared but only real difference being
scale. Only the music stores of Rondel operate in a similar scale, and only due to Rondel’s status as a mage metropolis. There were only a handful of customers in the store, most of them from the ‘US-Japan Coalition’ or the ‘Iron Pact’, with only a handful of local bards simply milling about.
That was when I saw something peculiar, a rather large instrument on some sort of stout stage. It looked like some of the instruments that two or three of the richest music-field mages were tinkering with, but it is also something different from a glance. The instrument’s shape was far more deliberate than the ones being tinkered with, it gleamed in the sunlight like if it was polished metal… while the underside of the instrument’s lid showed it was made of
wood, indicating a laminate… or at least lacquered. Interesting, as previous attempts to utilize lacquered wood were fraught with failure, meaning that the ‘Men in Green’ have far more experience in building instruments with lacquered wood.
I walked up to the instrument, inspecting it closely, absorbing the craftwork for all its worth. It is
fantastical craftsmanship, and the sound it made when I tapped one of the keys was just
beautiful, only one instrument like this one had ever made that sound back home. I took a seat and then started
experimenting. I kept testing the limits of this instrument, trying to find what can and cannot be done. I was so into this experimentation that I did not notice the ever-growing crowd around me.
“That is some pretty decent music that you’ve played there, miss,” a somewhat recognizable voice said with a thick, sharp accent, “It isn’t all that common to have someone able to simply sit down and play a harpsicord like an experienced professional would, given the picture that our interviews of the numerous bards and playwrights had painted for your musical sector.” That was when he nervously laughed and scratched the back of his head. “Where are my manors, the name’s Yōji Yamamoto, owner of this fine establishment.”
“Wait, you
own this store?” I asked meekly, “I… I did not know that this is yours! Please forgive me for trying it without permission!” I was about to go into an apology rant when Yōji put his hand on my shoulder.
“Don’t worry about it, it's fine,” Yōji soothed, “It’s out because it is meant to be played by passerby. Now, may I ask the name of the music that you’ve played?”
“It doesn’t have a name yet,” I answered, “I’ve been working on it for weeks and still haven’t perfected it. I’m a sound mage you see, and when I’m not exploring the interactions of music and magic, I’m writing music… although I haven’t played on an instrument this finely made…”
“Well, we’ve got all sorts of instruments, although some of which can’t be displayed here,” Yōji commented, “… I’m being so rude, what is your name ma’am?”
“Amala of Árheimar, Mr. Yamamoto,” I answered, “Doctor of Music and Magic, specialty in the interactions between magic and music.” Yōji raised an eyebrow at my birth city's name. “I was part of the group that came to investigate the two groups of men in green… and I was interested in what this store has to offer.” Yamamoto simply smiled.
“Oh, so your part of the group that everyone has been talking about,” Yōji stated playfully, “can’t resist the urge to see what’s new in instruments then. You remind me of all sorts of people back home.” That was when he stretched his fingers and pulled something out. “Then again, if there is anything that brings people together, it's good music.” That was when the little device began to
sing.
The song that the device -which I assumed is something to a playback crystal- was playing is different compared to what I’ve previously experienced. While I have heard all sorts of songs in the various establishments, this was something I never heard of. It was, in a word,
soothing. Soothing in the way only majestic beauty can bring. It went on for what felt like
hours.
“What song
was that?” I asked, “I’ve rarely heard such majestic beauty in my, life…” Yōji simply chuckled.
“That, Amala, is Chinese folksong whose name, when translated, is Jasmine Flower,” Yōji answered, “Music is an amazing thing, for it is one of the few things that bring people together. It can be powerful, it can be beautiful, it can be
awe-inspiring. Whatever emotions you’ve felt, chances are there is a piece that uses, embraces, or embodies it.”
“That is pretty interesting, Mr. Yamamoto,” I commented, “and that is a beautiful name for such a beautiful song. Are there more that I can listen to?” Yōji raised an eyebrow at the question. “I
am a Doctor of Music and Magic and I didn’t become one of the top doctors of my craft by not being inquisitive.”
Yōji simply smirked.
“I’ll have to ask a few people, but you might get your wish,” Yōji answered, “By the way, the construction crews are currently putting the finishing touches on a concert hall down the way, once that’s built you can listen to a few performances. You might be in for a real treat though; it has an instrument that can be accurately described as
the building itself.”
That got me extremely interested, “Tell me more about this instrument…” Yōji then began describing the instrument, and true to his word it can be accurately described as the building itself. I
just have to see it for myself…