Anime & Manga Teh CX Anime Review Thread

Terthna

Professional Lurker
Wow, this has to be about the only magical girl anime I've ever actually enjoyed, or at least to this extent. What does it say about me and my tastes that it's also hugely depressing and that, well, there are some similarities to Higurashi? ;)
Considering magical girls has been one of my favorite genres of anime since Sailor Moon, while I cannot stand shows like Higurashi; it says to me that our tastes are dramatically different.



The only show written by Gen Urobuchi with characters that I liked was Thunderbolt Fantasy. And I guess, maybe to a certain extent, Fate/Zero (mainly Waver, Rider, and the serial killer duo. Everyone else ranged from "okay" to "meh"). I think Gen's writing relies too much on shock value plot twists, but I think with TBF he's gotten better at writing more compelling shows.
He also worked on Kamen Rider Gaim just before that, which I thought was one of the best shows in the Kamen Rider franchise. That said, I can't stand his older work either; far too depressing, in my opinion.
 

The One Char

Well-known member
Considering magical girls has been one of my favorite genres of anime since Sailor Moon, while I cannot stand shows like Higurashi; it says to me that our tastes are dramatically different.




He also worked on Kamen Rider Gaim just before that, which I thought was one of the best shows in the Kamen Rider franchise. That said, I can't stand his older work either; far too depressing, in my opinion.
Yeah, Gen even admits in Fate/Zero that he was in a funk. It took Madoka for him to snap out if it.
 

Captain X

Well-known member
Osaul
Considering magical girls has been one of my favorite genres of anime since Sailor Moon, while I cannot stand shows like Higurashi; it says to me that our tastes are dramatically different.
Pfft! Could have told you that ever since you turned your nose up at the awesomeness that is Kei. :p
 

Captain X

Well-known member
Osaul
High School of the Dead: Drifters of the Dead
(single episode OVA)

Well, being the nerd that I am, I just had to watch this follow-up to the series. And this is going to be a short review, because there isn't all that much to say about it. You know how in the series review I mentioned that this could have been a serviceable zombie apocalypse story if it weren't for all the fan service and mood-swing-ish comedy? Yeah, the OVA has given up any pretense of doing even a semi-serious zombie story.

I guess the people who made this decided there just wasn't enough fan service yet, so they decided to throw in a beach episode for the hell of it, as this OVA is just an excuse to get everyone into bathing suits and to frolic together. Oh, that and since this is an OVA they finally drew in some nipples. Still, not much to write home about. Then, of course, there's the reinforced misogyny in the form of all the women pressuring the two male characters into searching for food, just so they have an excuse to play around on the beach and have fun. This is made even better by the fact that when the main protagonist (at least of the series), Takashi Komuro, fails to get anything, the same chick who was basically in charge of getting all the girls out of work gives him crap about it. The OVA tried to say this was funny, but I wasn't amused. But hey, there was fan service, so I guess I wasn't supposed to notice. Naturally the fat nerd character that the audience is no doubt supposed to identify with is the one who gets everyone food.

HotD2.jpg
The expected demographic.

No one gets a chance to eat, though, as the perfect time has come for more fan service. This time, everyone gets to hallucinate so everyone has a chance to make out and/or have sex with each other. Everyone apparently sees their own ideal partner, with the nurse seeing her girlfriend, and the angry aggressive chick seeing her mom. Yeah... And if that wasn't fun enough, it's implied that Takashi made it with a zombie when he thought he was doing it with the psycho chick who got off on the violence during the series. At least they show him managing to keep several bikini-clad zombies at bay while still hallucinating that it's the group of women he's with.

Of course, this OVA just admits that it isn't even trying anymore by expositing all the "important" information at the beginning and end of the OVA, with the characters even hanging the lampshade about it. As you might guess, I'm not going to go easy on it. And before anyone asks why I bothered watching it – to make fun of it. It's not that I was expecting much out of it or anything, and as an added bonus it's only about 16 minutes long, about 3-4 minutes of which is the opening theme. I did kind of think there might be some semblance of story, though, kind of like the series, but nope. 1/10.
 
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ATP

Well-known member
Well,i feel the same about that OVA.But - there is good fanfiction about HoD,"Land of the dead" by Brian Boru on SB.Unfortunatelly,author,while good,never end anything,so this story probable would be dead,too.

But - i have 4 great OVA for you to watch - Jokohama Kaidashi Kikou.It is so good,that i do not made reviev./manga had 141 chapters and ended few years ago - good,too/

Now,something i could reviev - Fushigi no umi no Nadia,39 episodes.

Action start when 14 year old genius Jean Raitigue save orphaned girl Nadia from being kidnapped.Kidnappers later become good guys,and real evil is boss of neo-atlantean who need her for his evil plans.
Fortunatelly,captain Nemo save the day and come to rescue - and he is Nadia father,atlantean,too/and rightfull ruler/.

There is many interactions and interesting characters,battles, some romance,fighting in space,tragic past of Atlantis and Nemo,and story end as you could quessed.
/yes,Nadia and Jean married each other after victory/
good story - i would gave 6,maybe 7/10.

What is interesting - when Disney made Atlantis,they were accused of stealing many ideas from that series.But it was cartoon,so i not reviev it.
 

Captain X

Well-known member
Osaul
Moonlight Mile
Season 2: Touch Down

(14 episode series)

This series left me feeling frustrated, because while it definitely improved in terms of both writing and maturity, it still ended unresolved, and just as I was really starting to like it, too. Cuss words! You have no idea how much I hate it when a series does this.

This season picks up right where the last one left off, though it was nice enough to do a "previously on..." montage just to refresh my memory. Just to refresh yours, this series follows two main characters, a Japanese man named Goro and an American named Lostman. The two of them climbed all of the world's highest peaks together and on the summit of Everest they decided that they both wanted to climb even higher, by going to the moon. They both did this in an extremely roundabout way, Goro becoming a notable construction worker and Lostman becoming a notable Naval pilot. So by the end of season 1, both were in orbit with plans to head to the moon – Goro through the International Space Agency's project being constructed from the International Space Station, and Lostman through a secret military base run by a secret branch of the US military. The other notable thing about the show is that it was basically an excuse for Goro to get laid every episode, and for us to see how good at drawing breasts Studio Hibari is. Which is to say that they're pretty good, but I think they should seek other reference material since most of them looked porn star fake. ;)

In any case, I was just interested enough to seek out the second season of this show, due largely in part to the unresolved storyline. Just as I suspected, the first season was just the set-up, but then the season titles probably should've tipped me off. The thing that took me by surprise, though, was that the second season was actually a lot better than the first. The writing was better, the story was more in depth, there was actually a little character development here and there, and best of all, the show even matured a little, so it wasn't basically Golden Boy in space. Oh, there was still fan service, but it was definitely cut back on, and it was to the show's benefit that it could concentrate more on the whole "going to the moon" storyline instead of just making weak excuses to get Goro laid.

There were still a few drawbacks, mainly coming from the insistence of the show that the vast majority of Americans are assholes. For instance, there was this Arab kid who helped to save Lostman as a POW back during the first season, and we get to see how he's doing in the US. While I could see the government giving him some grief being a recent immigrant from the MidEast and gathering up a bunch of rocket parts, not a lot else makes sense as far as the racism the kid faces from basically everyone. And really, at every point the show makes a point of showing Americans to be complete assholes, so that didn't earn it any points there. And while there are plenty of assholes in every country, and I've met my fair share of them from both the US and Canada, it's not nearly as bad as this show made it out to be. And this is coming from someone who tends to hate people in general. But there's plenty of anime that seems to have someone with an axe to grind when it comes to the US, so I try not to take it too personally.

The other major weak point of this series is actually the characters, though this is more a case of "too much" than any real lack of trying. The problem here was more that there were simply too many characters for any of them to get much of a chance to be more interesting than just some random extra with a name. While I like ensemble casts, this show only really got half-way with that. Unfortunately the show also picked up something of a spokesperson in the form of Maggy, a somewhat obnoxious young woman, at least in front of the camera. Apparently she's the host of a show that's all about selling the ISA's moon project to the public, and she just happened to take the form of an obnoxious, somewhat moé Japanese hostess despite not being Japanese. She even goes into space. Thankfully, the astronauts reacted the way most normal human beings would when exposed to moé.

MoonlightMile01.jpg

Fortunately she gets better, for the most part. She's actually shown to be somewhat more normal when she's not on camera, and she even tones it down a couple of notches when she's in front of it not long after she gets into space. Of course this is also after she's revealed to be close to 30 and an aspiring journalist, so I guess they thought she should be a bit more serious to actually reflect that.

As for the story, big improvement over the first season, mostly because it's a lot more focused now. The ISA's heavily involved in colonizing the moon in order to exploit it. Just like in the movie Moon, they're after Helium-3 as a power source. So this multi-national project is named Project Nexus, and it's being pushed especially hard by the US. Since the last season, the ISA has been dropping crates full of supplies and building materials for the future moon base, and the first half of this season is mostly about building the Galileo, a large spaceship meant to take a dozen astronauts and even more supplies and building materials to the moon so they can start construction of the base. Naturally, pretty much everything that can go wrong does, and just as the new big ship is finished and the crew selected, a massive debris field messes the ISS up with everyone on it, and they lose several astronauts. They also mess up the space shuttle that is the only remaining means of getting back to Earth's surface, as the evac shuttles had been deployed earlier thanks to the most massive solar flare in recorded history. So, with the Galileo miraculously undamaged, everyone who's left (coincidentally 12) heads to the moon, including the obnoxious TV hostess.

Meanwhile, the other big element of the story is all the politicking going on. China isn't having any part in Project Nexus because they want to have control over the distribution of Helium-3. So to start things off, they launch what is initially believed to be an anti-satellite satellite, but what turns out to be two space fighters. Good thing the United States Space Force (*snicker*) already has its own fighters. Unfortunately for them, the Chinese space fighters are a fairly even match for them, which is why there's a ton of debris that messes up the ISS. Next China builds its own space station, and then quickly announces its existence in order to prevent the US from adding even more debris to Earth's orbit.

Unfortunately, while everything just kept building up, it became obvious in the last few episodes that most of these plot elements were going to go unresolved. And just as it was getting interesting, too. Hell, they'd even come full circle and actually showed what lead up to the opening scene of the series, though it didn't really make any more sense, unfortunately. Presumably since this series was based on a manga, they'd simply run out of material to adapt to screen, and had to stop. Or maybe the show just got non-renewed. Or both. But, just as with Zipang, whatever the reason this show had to just stop mid-stream like this, it's still disappointing. I suppose that's actually a mark in this show's favor, simply because it was interesting enough for me to actually care about what would happen next. This show was not only interesting, but it managed to hit some of the right notes in order to resonate with me during a few episodes. That pioneering feeling that goes with space exploration and all that, not to mention an episode that ripped off October Sky (they even called it "The Rocket Boys"). So I guess you could say this was something of a double-edged sword, and you should really be aware of that if you think this show sounds interesting and you decide to watch it.

Overall, this was a fairly decent series and I think it was worth the trouble I went through to find a fansub of season 2, since apparently no one has bothered to pick it up yet on this side of the Pacific. 8/10.
 
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Captain X

Well-known member
Osaul
Shiki
(24 + 2 episode series)

This series was both good and somewhat disappointing. It was good in that it had an interesting story and somewhat interesting characters which kept me watching, but disappointing in how the majority of those characters reacted to what went on around them, as well as in how the series ultimately ended.

This story is a little like Higurashi in that it takes place in a small, geographically isolated village, and that a lot of bad things happen to good people. In this case, ironically enough (on purpose, no doubt), Sotoba is a quiet little village that is famous for having a certain type of tree that gets used a lot to make grave markers and coffins. Also like Higurashi, rather than taking place in modern day, it takes place at some point in the past, in this case the 1990's. That's about where the similarities end, though, aside from having some little children which turn out to be evil because of what happens to them. There are no time-loops or take-backs, though, just a lot of dead people.

This series has something of an ensemble cast, but focuses mainly on three characters: Natsuno, a high school boy who's also a prick, Dr. Ozaki, dean of the small hospital in Sotoba, and his friend since childhood, Seishin, a local junior priest who also writes novels on the side. The story starts soon after an old traditional mansion on one of the local hills was torn down and replaced with a western-style castle. No, really, a castle.

Shiki01.jpg
Nothing forbidding about this at all.

It was built by a family of rich outsiders, who also move in during the middle of the night, rather rudely awakening some people so they can ask directions. Still, all most people complain about is how the castle doesn't really fit in with the rest of the village, and how the new people pretty much keep to themselves and otherwise act so strangely (kind of reminded me of home, actually).

Shortly before their arrival, there had been a number of strange deaths which left an isolated part of the village, which is spread out over a valley, completely vacant. Then, soon after they arrived, the local moe blob who thinks she's destined for greater things goes missing after approaching the castle and is found to be in a strange lethargic state. Soon afterwards, she dies. While I was hoping this would be a permanent death and the story would be done with her, this series is actually about vampires, as you might have guessed what with the castle and all that. It seems this "family" of vampires, the Kirishikis, has decided that Sotoba would make the perfect place make a safe haven for their kind, and soon set about feeding upon the locals. Unlike most vampire movies, it takes several feedings to kill a victim, who even then might not necessarily reawaken as a vampire. Pretty much all the other movie myths are shown to be right, though, and as an added bonus these vampires are not like the fangirl fap material that Anne Rice novels and the Twilight movies have made them into more recently.

So initially, no one knows what is going on, except of course that an unusual number of people seem to be getting sick and dying. Dr. Ozaki initially thinks he has some kind of epidemic on his hands, and gets pretty stressed out trying to figure out what it is and how to combat it all while trying to keep it a secret so people don’t panic and possibly spread it further. To complicate matters, the people who are sick insist they are simply fighting off a summer cold and refuse to be treated. This is because while a single feeding isn't enough to turn someone into a vampire, just being bitten means they can be hypnotized by the vampires to do and say whatever they wish. This actually made for a pretty gripping story, even though the audience is fully aware of what's going on even as the characters struggle against what they think is an epidemic of some kind. It actually takes a while for the bites to be seen, and even then these are taken to be insect bites and therefore a possible vector for a disease.

In the meantime, Natsuno has been getting the feeling that the moe blob who liked to dress like a slut and had a creepy stalker crush on him, is still stalking him from the bushes outside of his window. He reacts by hanging out at basically his only friend's house, sleeping over there at night to avoid feeling like he's being watched, and having strange dreams. Unfortunately for him, his stalker follows him and takes her frustration out on his friend, who soon dies. I'd feel sorry for him and all, but he is an asshole and I never took a liking to him. I'm not sure if the audience was supposed to find him all "stoic" and therefore admirable, but I just thought he was a jerk. However, he is the first to figure out what's going on, since he basically witnesses his stalker come into the room and feed on his friend, though at first he thinks this is nothing but a dream. It also kind of comes back on him, too, because his family is from the city, so while Natsuno figures out what is happening and his best friend comes back to feed on him, his father undoes everything he does to try to protect himself.

While Natsuno is feeling watched, Seishin is likewise being stalked, but this time by a little girl who follows him out to his secret hideout in the woods, a small church. He at first thinks she's just a strange little girl, but she keeps dropping hints that she isn't quite normal and is actually much older than she says she is. She's also a fangirl for him, and has totally read all of his books.

Shiki02.jpg
Isn't she just the cutest little killer you ever saw?

While I think Seishin had an inkling (and who wouldn’t with eyes like that), he only really accepts it when Dr. Ozaki also starts to figure things out and asks his old friend to help him keep watch on a patient overnight, because he's convinced she's being fed upon. This is when both of them see a local woman who they both knew to be dead, hovering outside of the second story window of the patient's room, asking to be let in so she can feed. The two of them naturally resolve to save this woman, but the next night the vampires conduct an overt attack on the clinic, which unfortunately only Dr. Ozaki and Seishin are around to witness. They all attack the patient and kill her, but leave the doctor and the junior priest for now, basically telling them to back off or the same will happen to them. And this is where the two characters react differently. Seishin is a pacifist, so he elects to basically do nothing, and is disgusted at Ozaki for suggesting that they capture one of the vampires so he can conduct tests on them.

And really, this is where the show tries to get all moralistic and argue something that really doesn't make much sense to me. Basically, it tries to humanize the vampires by having them argue that they didn't exactly ask to be vampires, which is a valid point, but they then go on to argue that since they have to feed to stay alive, humans are no different than animals to them. This is not a valid argument, even though it's one that PETA tries to argue all the time. The difference is that humans are sentient beings, and animals are not. The vampires also refuse to seek any alternative solution which wouldn't require killing human beings for them to feed. This makes them a threat, and frankly I don't have much sympathy for them, despite the show's best attempts to play up the tragedy of the vampires. It's true that some of them met tragic ends, and this is especially the case for the vampires who refuse to feed on anyone. But where I lose sympathy is when they try to use this tragedy as an excuse to kill others, who either stay dead, or are reborn into the same living hell.

Since both Natsuno and Dr. Ozaki have determined that they will try to fight the vampires, the vampires have decided to kill or otherwise punish the two of them. Natsuno is the most proactive and is actually recruiting some of the other students who agree with him, so they take him out first. Just to drive this home, they send his friend to do it, and while he initially doesn't seem like he can go through with it, despite threats from the other vampires against his family, he does go through with it. Luckily for Natsuno, he doesn't either die or turn into a normal vampire. Instead, he turns into a werewolf, though here a werewolf is basically what Blade is in that franchise – he has none of the weaknesses of the other vampires, and all of their strengths, or at least he would if he fed on humans. The Kirishikis also have a couple of werewolves in their employ, who basically have been doing all of the dirty work for them, so that plays out somewhat interestingly.

When it came to Dr. Ozaki, however, they decided to punish him by feeding on his wife. This was a rather stupid move on their part, because as it turns out, Dr. Ozaki is despicably pragmatic, so his reaction is to let them kill his wife, so he can then watch to see if she rises, and then conducts a series of experiments on her in order to figure out how to kill the vampires. So basically he tortures his own wife to death. And while the cold, calculating part of myself kind of agrees with what he did, I also agree with his friend Seishin, who was just disgusted at what he had done, and how unapologetic he was about it. But while Ozaki now fully knows what he's up against, he then goes on to do nothing. While he had all of this evidence he could have sent to the outside world while that was still possible, he didn't, so when he was finally bitten by one of the Kirishikis, he ends up destroying most of this evidence under her hypnotic control.

Really, things only came together at a point when I was just about to give up on this series out of disgust. And while the bad guys winning doesn't necessarily turn me off to a show by itself, in this case I was getting fed up because no one who knew what was going on was really doing anything about it. It was getting to a point that I felt that the people of this village deserved what was happening to them since they refused to do anything about it. Hell, Seishin actually goes to live with the Kirishikis, which is supposed to be him "accepting" them for what they were.

Thankfully, things finally happened. As it turned out, Natsuno had planned on this happening along with Dr. Ozaki, who manages to self-treat himself with a blood transfusion so he can free himself from the hypnosis he's under. He then fools his attacker into thinking he's still under her control, and convinces her into checking out a festival the village is throwing that night at the local temple. As it turns out, the shrine actually weakens her, and Ozaki uses this to out her in front of what's left of the village, who then resolve to kill all of the vampires in order to defend themselves. The odd thing here is that the doctor insists that they do this secretly, without involving the outside world. And this is where a lot more tragedy plays out.

While the series really wants the audience to feel for the vampires, with most of them I really can't, as I explained earlier. So really the only tragedy I feel comes from those who were recently turned into vampires and refuse to feed, but are killed along with the others anyway. There are also a number of people who were killed who didn't have to be, because some of the villagers get too overzealous and either didn't pay attention to Dr. Ozaki's explanation that people who were bitten don't turn into vampires unless they die and therefore kill anyone who is bitten by vampires as they attack them, or argue that the bitten are collaborators since they are acting under the direction of the vampires and therefore should be killed anyway, even though they are nothing more than victims. As the series is winding down, all the temple people end up being murdered as collaborators as well, because Seishin, who was a collaborator, hid in another part of the temple grounds and they knew nothing about it. So really, tragic all around, unlike all the vampires who convinced themselves that their friends and family along with every other living human being were all cattle and it was totally cool for them to kill them as such, only to have some of these "cattle" visit it back upon them now.

For me, the disappointing part comes from how the series ends, so if you don't want to be spoiled any more than what this review has already given away, just skip the next paragraph.

Basically, the entire village is burnt to the ground, making the entire ordeal the villagers have gone through in order to wipe out the vampires to protect their village is all for nothing. While the outside world naturally gets brought into the area to put the fire out, the fire did succeed at destroying all evidence of the slaughter the villagers were carrying out, it also destroyed all the evidence Dr. Ozaki collected and any evidence they might have which the outside world might actually find useful, considering that vampires exist and all. Then there's the way the pre-teen vampire fangirl and the recently converted Seishin manage to escape during all the confusion with the fire. And that’s how the series ends. Hell of a note, isn't it?

When it comes to the characters, it's really a mixed bag. As I said, it's an ensemble, so there are a lot of characters the series follows. I find that this actually works somewhat against the series as it becomes difficult to keep all of them straight, let alone to remember all of their names. There are also some characters who only seem to exist so we can hate them and actually want them to die horrible deaths, which they do, twice. For me, though, the most interesting dynamic is in the character of Dr. Ozaki, because while he's more or less a good guy, he does some pretty horrible things, and to his own wife to boot. And while both Ozaki and Seishin have an interesting background which explains why each is the way they are as far as how others have expectations of them which lock them into lives neither of them wants, Seishin is a coward and frankly I found myself wishing bad things would happen to him.

Overall, I'd say that I did like this series, though. It was refreshing to see something with vampires that actually depicted them as monsters instead of as love interests for once. So while there were still aspects of the show I didn't like, I'd still recommend this one to others, even though it isn't exactly among my favorites. 7/10.
 
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Terthna

Professional Lurker
I never saw it myself, but it did air around the time I was following a lot of anime blogs; so I understand the gist of what happened in the series. The fact that the story revolves around vampires invading a small remote town makes you think it's going for a horror vibe, but the whole thing just ends up being a tragedy; with heroes, villains, and victims on both sides of the conflict. All in all, Shiki is a really depressing show I'm glad I never actually watched. Although I do wish there was more fanart of the series, as I really liked some of the character designs; particularly Megumi Shimizu, the pink-haired vampire girl.
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Captain X

Well-known member
Osaul
Durarara!!
(26 episode series)

Brought to you by the same company who brought you Baccano!, this is pretty much the same type of show, only not quite as scattershot in its storytelling. The opening titles even helpfully name all of the show's many characters for you, and show you relevant scenes from previous episodes it's going to pick up one or more of its many storylines from. The only catch was, for me at least, it was easier to keep track of the storylines than the characters, although part of that may be because when I watched this, I was on some pretty serious pain medication to help me recover from some surgery. Of course in Baccano! I could never keep track of all the characters either.

The story mostly follows Mikado Ryūgamine, seemingly an average high school student from the country who's just moved to Ikebukuro in Tokyo, Japan, in order to attend an academy one of his childhood friends is at. It also follows a female dullahan named Celty Sturluson, who's in Japan looking for some head-I mean, her head, which was stolen from her some 20 years ago. She now exists in Ikebukuro as an urban legend – the black, headless rider who rides a black motorcycle at night with no light and no sound, except when it brays like a horse. There's also a cluster-frak of other characters, including some of whom are larger than life, like the guy who can toss vending machines around like toys and punch a guy out of his clothes. There's also a group of four otaku (including one yoai fan girl) who seem to have not much else to do but sit around in a riced out van all day.

I'm not going to lie – when I started watching this show, while I got all the meta and referential humor in it, I just wasn't really interested in Mikado and his friends, or in his fish out of water story. It wasn't until the show focused more on Celty that I got more interested, though to be fair, a lot of the characters also had something to like about them. And while there is a story, this show seems to mainly be about having fun. Not that that's a bad thing, exactly.

The story itself was about how basically everyone had some secret about them and how everything intertwined together, mostly due to the effort of an information broker. He ended up in possession of Celty's head, and he had convinced himself that she and other dullahans were actually the same as valkyries from Norse mythology, or to put it another way, like a grim reaper. He was convinced that the only way to make Celty's head wake up so he could see what happened was to manipulate the many different parties in Ikebukuro into conflict. So then along the way we learned things about the different characters and about the different groups involved, such as the dollars gang and the yellow scarves gang, that were twists on what was initially told to the audience about them. The narrative tended to set all of this up and reveal it in a very round-about way, which I have to admit kept things fairly interesting to watch, though this could also be a bit frustrating. Thankfully only one episode went out of its way to tell its story out of chronological order. Of course a side-effect of having so much going on is that, like so many other anime, there was a wealth of expository narration just to explain everything to the audience. This was somewhat offset by making the narration from the limited perspective of some of the different characters, but I've never been a huge fan of narration.

As for the characters, they and the large amount of humor are pretty much what make this series. There are way too many characters for me to have any real hope of going into, so about the best I can tell you is that none of them were really bad in the sense that I wish they hadn't been in the series. There was a creepy woman who loved her brother in, you know, that way, and even a magnificent bastard who loved to manipulate everyone, but no one I really hated. Actually most of them had a humorous side of them as part of the show was basically just being about having fun with itself. Kind of like how Celty, essentially an invincible eldritch abomination, was afraid of some unusually aggressive motorcycle cops. Probably the only annoyance I got was from Mikado and the large-breasted high school girl he had a crush on, and how their little ... relationship was basically the same as every other socially awkward "romantic comedy" type thing you usually see in the moé crap that's been making up most of the anime coming out of Japan lately.

So while this was a fairly fun anime to watch in many ways, I wouldn't really count it among my favorites either. It's worth watching at least once, just for the fun of it, but I'm guessing only the more seasoned anime fans would like this one, because people who are new to anime probably wouldn't get a lot of the humor. 7/10.
 

Captain X

Well-known member
Osaul
I mean, I mention right there in the review that she's supposed to be a dullahan.

It also follows a female dullahan named Celty Sturluson, who's in Japan looking for some head-I mean, her head, which was stolen from her some 20 years ago.

What I'm referencing here
Kind of like how Celty, essentially an invincible eldritch abomination, was afraid of some unusually aggressive motorcycle cops.
is how the show is treating the character like an invincible eldritch abomination who scares basically everyone she comes across, yet is herself afraid of the improbably unphased motorcycle cop she comes across at one point and becomes something of a recurring joke.

Is that really all that confusing?
 

ATP

Well-known member
Shiki really cared too much about vampires feelings - aithought i feel bad about that one.All she wonted was go to big city:


Now, my turn - Yuru yuri,12 episodes - Akari Akaza with 2 friends go to new school,meet new girls she befriend,...typical cute girls do cute things ? not at all,it is good parody of anime cliches.
Poor magical girls were treated worst,in my ipinion
6/10, i would say
Here,sample:
 
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Captain X

Well-known member
Osaul
Gasaraki
(25 episode series)

This is another military drama series, for the most part anyway, with a heavy focus on giant mecha. I can't help but reiterate how silly the idea of a giant humanoid robot being physically piloted is, despite all the technobabble explanations and excuses given for the "Tactical Armor system" in this series. They try to claim something like this would be as fast as any rapid armor by running, but as an engineer I can't really see that being the case with such a design. The other informed abilities, such as being highly maneuverable and the like are also pretty bullshit, simply because of the size of these machines and the fact that having a humanoid structure would actually tend to limit how well they can move around. And as if to prove my point, for the most part that's exactly how these TA's are presented – as lumbering giant robots, slowly and sluggishly moving around, except of course when the plot needs them to move around really fast so they can evade and take out traditional armor. I guess if there's one positive thing about this, though, it's that in this case the giant robots actually have their weapons built into them, instead of having ridiculously huge rifles or pistols they have to physically carry around in their robot hands.

Really the only reason I'm bothering to bitch so much about it is because of how much the story revolves around these giant robots and how supposedly awesome they are, even though the story itself really isn't about them. Instead, it follows protagonist Yushiro Gowa, member of the large family owned military industrial company Gowa Industries. He's being used as a tool to bring back some kind of ancient beast/weapon known as the title name drop, which he can apparently do by doing some kind of weird ancient traditional Japanese dance, or just by being pissed off enough. Initially the series tries to build up a lot or mystery about him, along with another test subject just like him named Miharu, who pulls double duty as the love interest. She's being used by an international mega-corporation called Symbol, which starts wars for fun and profit, apparently. Fortunately, both Yushiro and Miharu develop personalities as the series progresses, or I might not have made it through this series.

So as I mentioned, the giant robots play a big part in this series. We're shown the TA system being tested out by a small group of JSSDF officers in Japan, with everything being finished up just in time for a war to start in some made-up Middle Eastern country run by a Castro wannabe. Basically the US picks a fight over what they believe to have been some kind of WMD test in this country, though everyone important to the narrative knows that this is actually the same kind of summoning that Yushiro Gowa was trying to do early in the series by doing his weird dance. This ends up turning into a UN-sanctioned, NATO-backed invasion of the small fake country of Belgistan. *snerk* Anyway, the Gowa family manages to arrange for their new TA's to make their debut in combat by going to this country, after the US-led invasion forces have been devastated by some other giant robots. These are Symbol's, which they call "Fakes", and they're doing basically the same thing Gowa is.

I'll say right up front that this is basically the most interesting part of the story for me, mostly because it's a fairly straight-up military drama with some mystery and intrigue thrown in for fun. While it's obvious that Gowa isn't on the up-and-up itself, Symbol is the big bad mega-corporation pulling the strings, with their fingers in basically everything. Symbol actually has US military assets, as well as military assets in other parts of the world, which they try to use to capture Yushiro. The Belgistan campaign is also where the JSSDF group that Yushiro is a part of has more of a role, which was nice because they were a fairly interesting group of characters. Yushiro and Miharu also come face to face here, first in combat, and then in secret as they try to meet up and escape capture by Symbol. This is also where Yushiro stops being a boring automaton, doing everything his family wants him to do.

Of course, Miharu ends up being recaptured so there aren't too many questions that actually get answered yet. The action then moves back to Japan, where there's a conspiracy to overthrow the Japanese government and install what certainly sounds like a fascist government led by a very old-fashioned douchebag. This guy only dresses traditionally, and carries a katana around with him, which he actually used to blind himself because he couldn't stand to look at modern Japan. Everything this guy said led me to believe he was another bad guy and that he was going to complicate life for Yushiro and our band of JSSDF heroes, and to be frank even though the story took another direction, I still view him as a bad guy, who really was no better than Symbol. Really the only difference is that while Symbol wanted to take over the world (Of course!), ol' scar face only wanted to take over Japan and rule it with an iron fist based on the rigid, supposedly ancient ideals that the earlier fascist government made up to control its people back in the 1930s, all so he could get rid of the foreigners in Japan, basically, and to get the Japanese people to give up such decadence as personal wealth and self-determination. Oh yeah, later on, this guy gets made out to be a good guy, but at least before the half-way point of the series this was looking like a fairly interesting drama of sorts, even with the little jabs here and there at the US.

Things really looked up as the truth started to come out about Yushiro, and he grew a pair and ran off with Miharu, who had been captured in an attempt to infiltrate Gowa's research facilities. The two of them do make a good run, and find out the truth of their pasts, but this is actually where the story started to go downhill for me. Coincidentally, this is also where the series wasted a few episodes showing us a revised history of 11th century Japan, with many of the same characters as earlier incarnations of themselves. Naturally, they all looked exactly the same. This is also where the series really started to grind an axe against the US, which was apparently being a douche to Japan for no reason other than that apparently Symbol wanted it to, for reasons which were never really explained beyond taking over the world. And supposedly everything started out with the USDA, being the evil entity that it is, lying through its teeth in an official report claiming that grain harvests were way down. This set in motion a convoluted plan that scar face was going to try to take advantage of to meet his aims, and to allow the series to show the US acting as a terrorist force to attack Japan, you know, because. Oh, and this is also the point that scar face and his plan is made out to be in the right, probably because this is someone's fantasy. After all, so much of this series devotes itself to being fan service to traditional Japanese ideals going back to ye olde days of the samurai and such, supposedly. Really the best part of this was the way scar face repeatedly whipped his katana out and used it as an allegory for pretty much whatever the hell he wanted in order to justify his ambitions.

Speaking of ambitions, the Gowa family was naturally involved in this plan, which would see it put in place as a powerful military industrial complex that was the real power, in the shadows, pulling the strings, because that sounds awesome to some people, I guess. This is also where Gasaraki comes in as the eldest son seizes power of the company and family from his father, and plans to use scar face's plan of domination to his own ends in true bad guy fashion.

Anyway, as you might expect, while the US was totally going to go to war with Japan for no reason, the President apparently saw the light (read: made a sane decision) and called everything off, including the embargo on grain exports it had put in place for no reason, which is what had started everything off to begin with. Why the US had it in for Japan or how a ban on exports to the rest of the world was somehow specifically a slap in the face to Japan is never explained, everything just kind of resolves itself. Scar face suddenly sees the light himself (impressive for a blind guy), and after calling off his own plan to hurt the US economically, he commits suicide, in the way you might expect a self-declared samurai to do.

This leaves bad guy Gowa to carry out his own fiendish plans, which involves the use and abuse of his annoying little sister to bring on Gasaraki and give him the ultimate power (TM). This is also where all that time wasted in medieval Japan comes to bite the series in the ass, because everything is resolved at the last minute and there is no real closure. I guess the fun part here was the obvious rip-off of the last couple of episodes of Neon Genesis Evangelion through the use of abstract imagery and live action footage mixed in with still imagery. You know, the stuff NGE did to try to look cool after their animation budget had run out before the series had a chance to end.

When it came to characters, Yushiro was kind of interesting, at least once the series got going. He finally started to resent the way his family was treating him and finally resisted it, though in my opinion he should have been a bit more active than just trying to run away, and later on just basically yelling at his oldest brother for being an evil bastard. Miharu got the short end of the stick as far as development was concerned, because while she was also starting to resist due to the treatment she was getting from Symbol, after the pointless trip to medieval Japan she basically lost all of her personality and basically became a defenseless damsel in distress that Yushiro had to rescue. I was also somewhat disappointed when it came to that group of JSSDF officers Yushiro was initially assigned to, because they also seemed kind of interesting, and they really deserved some fleshing out and development that they didn't get. Actually, for some pretty long stretches we didn't even get to see any of them, until the series just decided to focus on them as part of the larger story, which unfortunately was executed in a somewhat sloppy fashion. So overall there was a kind of blandness when it came to the characters, and between that and the story, which was somewhat interesting, I found myself kind of bored watching this series at times, especially during the middle portion.

I guess if there's anything positive left to say about the series, it's that it tried to make all the sides fairly ambiguous, rather than making everyone just straight-up evil for no reason. That was left to the oldest Gowa brother, and for an earlier ancestor who did pretty much the same stuff back in medieval Japan. The downside is that while parts of this series were interesting, large portions of it were pretty boring for me, and it actually became something of a chore to watch. It picked up more toward the end of the series, mostly because it had to in order to resolve the story, but even there it was pretty lacking, and we never get to see the fallout of what happened over the course of the series. So really, overall this is an okay series, not especially bad, but definitely not very good either. 6/10.
 

gral

Well-known member
I guess if there's anything positive left to say about the series, it's that it tried to make all the sides fairly ambiguous, rather than making everyone just straight-up evil for no reason. That was left to the oldest Gowa brother, and for an earlier ancestor who did pretty much the same stuff back in medieval Japan. The downside is that while parts of this series were interesting, large portions of it were pretty boring for me, and it actually became something of a chore to watch. It picked up more toward the end of the series, mostly because it had to in order to resolve the story, but even there it was pretty lacking, and we never get to see the fallout of what happened over the course of the series. So really, overall this is an okay series, not especially bad, but definitely not very good either. 6/10.

Biggest problem I had(IIRC, it's been some 20 years since I saw it) with Gasaraki was that it was two parallel stories in one series, and only one of those got adequately concluded, the other(the mystical one, IIRC) had your standard ambiguous end that leaves more questions than it answers.
 

Captain X

Well-known member
Osaul
Time of Eve
(6 episode OVA)

I'm honestly of mixed opinion about this short OVA. On the one hand, it actually is kind of touching, and I honestly would have liked to have seen the rest of the story play out. On the other hand, it was kind of corny, and I couldn't help but think of geeks who relate a lot more with the women on their computers than with the flesh and blood women in their lives. I mean, why else would you make androids who look like gorgeous women, right?

TimeofEve02.jpg

Okay, to be fair, the story goes a lot deeper than that, and the image above isn't actually what it looks like, at least not as far as who the android is there. The story follows protagonist Rikuo Sakisaka as he comes to discover that his family's android maid has apparently been taking side trips to a small coffee shop named The Time of Eve. Here there's a rather unusual rule, which is that humans and androids are to be treated equally, which is stated on a large sign in the shop's entrance. This makes more sense when you realize that the vast majority of androids look just like human beings except for a holographic ring that floats above their heads as required by law for that every reason. Here, the rings are turned off which really means that it's hard to know who is human and who's a skin-job (to borrow from another sci-fi) especially since, for some reason, a lot of androids act very convincingly human. So basically the story arc deals with how Rikuo overcomes his own prejudices toward androids, and the mocking from society at large that this kind of liberal attitude usually entails.

In a lot of ways, I'm honestly not surprised that this is essentially a thinly-veiled allegory for bigotry – a time-honored tradition of sci-fi, really. In this case, it was even pretty well done. In others, I find myself disappointed that that's basically what this show boils down to. Here, androids are treated basically like crap, and the big twist that most "normal" people would reject is that these androids are fully capable of experiencing emotions and of essentially being human. Oh, and the few people who stick up for androids are lumped in with the kind of people who marry their hentai video games and given the label "android-ohalic." Now, I've written before about the ethics of creating what amounts to a slave race in an essay that can be found here. As you might guess, I find the idea pretty messed up. I've also already bitched about becoming too dependant on technology in my review of Summer Wars, so I won’t repeat my short rant about it. Of course, this show does kind of take a shot at people like me, in a way. But really what it comes down to is that I find this kind of allegory rather tiresome now, and I can't help but feel that a lot more interesting questions are being glossed over thanks to the bigotry issue.

The story focuses mostly on Rikuo and his home-bot Sammy as they learn more about each other and basically fall in love, or at least develop a kind of friendship. Or something. Rikuo's kind of a dick until he undergoes a kind of personal epiphany as the story progresses, actually. For me, though, the odd thing is in the kinds of questions being asked, which is to say not too many were asked about the nature of the androids and how they became self-aware and basically human, all while electing to not conduct a robot revolution and remain in servitude. So while Rikuo asked questions about how long Sammy has been going to that coffee shop, I would have been asking about how long androids have been self aware, and how it is that they came to be self aware, along with other questions relating to that. This is, in part, because I'm an engineer, so the idea of a machine becoming self aware is both interesting and somewhat disturbing, because really when you think about it, the androids in this OVA have no reason to be any more self-aware than what you’re reading this review on. Androids should only have software, not souls; they shouldn't get happy, they shouldn't get sad – they should just run programs. So for me, the idea that they could become self aware is the interesting part, which would then be more Ghost in the Shell territory I guess, or more like what Star Trek: The Next Generation did with Data. That's why I'm disappointed this show went the more standard bigotry route.

Anyway, as I mentioned earlier, the show kind of took a shot at people like me by making people who are uncomfortable with the idea of having android slaves, or with humanity becoming too dependant on technology this show's version of racists. It's a group of people that calls themselves an "Ethics Committee," and they seem to be a pretty powerful group, which dedicates itself to an anti-android/robot agenda. They hate places like The Time of Eve and can apparently have people arrested if they treat androids too much like people, too, thanks to the connections they apparently have. As it turns out, Rikuo's best friend, Masakazu Masaki, is the son of a top-ranking member of this committee. Oh, and Masakazu had been going with Rikuo to The Time of Eve up until Rikuo started to soften on the whole android issue. Naturally there's a reason behind this, and it goes back to something that happened during Masakazu's childhood, because even though his father hates them, he apparently has had a robot to help out around the house for a very long time. Of course, the Ethics Committee apparently already knew about The Time of Eve and has been spying on it for a while, so that kind of leave's the coffee shop's fate a bit up in the air at the end of the OVA.

I'd be more butthurt over the portrayal of the Ethics Committee as the stereotypical bigoted people who just don't understand the androids, but honestly I can't get very worked up about it. And while I was somewhat disappointed with this show, I still found it somewhat charming, and interesting enough that I'd totally watch a full series of it, presuming one got made. But this show was brought to you by the same people who brought you Pale Cocoon, so that probably isn't going to happen.

The show also had plenty of genuinely funny moments for all the others I didn't find particularly funny, like the reference to Blade Runner, and the part were a really old robot came into the place with Terminator vision and a music score to match. There are also plenty of other references to other sci-fi works that I recognized and smiled at, like a robot named THX, for example.

The downside is that it also had some other things that tended to annoy me, like the whole "socially awkward male nerd and the women who love them" crap that's so horribly common these days in anime. That and the Moé. Like the 4-year-old girl who's brought to the coffee shop by her grandfather, erm, foster father, or whatever on a regular basis.

TimeofEve01.jpg

She insists that she's a cat, too. Isn't she just cute enough to make you want to puke rainbows? Did I mention she's given free reign of the place and likes to steal things from people so they'll play with her?

Oh god, I can feel it coming on again... Must... resist... urge... to growl...

GranTorinoEastwood.jpg
"Get off my lawn..."

Okay, I guess I'm better now. ;)

Another thing that annoyed me a little was the simulated camera work. This isn't exactly something I would normally make a point of complaining about because, let's face it, it's anime, but they did the whole thing with bits of shakey-cam, and really wild pans and tilts, and it was a little hard in some ways for me to watch it because of that, mostly because it was a bit distracting from what was actually going on. It does look pretty good otherwise, though.

Anyway, as I might guess, I'm not exactly a huge fan or anything of this show, but I still found it somewhat interesting and worth watching. I would still recommend this OVA, even if I'm not exactly counting it among my favorites. I'm sure some of you wouldn't be bothered at all by the stuff I found annoying or disappointing, and each episode is only 15 minutes long, so it's not like you're out a lot of time by watching this. 7/10.
 

Val the Moofia Boss

Well-known member
I can't help but reiterate how silly the idea of a giant humanoid robot being physically piloted is, despite all the technobabble explanations and excuses given for the "Tactical Armor system" in this series.

Giant mecha are cool. That's all that matters. You can add giant mecha to any setting and it will instantly make that series more awesome. Giant mecha do not become less cool with age.

They try to claim something like this would be as fast as any rapid armor by running, but as an engineer I can't really see that being the case with such a design.

True. Giant mecha would only really be able to run super fast if the mecha was really, really tall, so it had a long stride (ignore the other physical impossibilities of this scene). Otherwise, only way for them to go fast is to either have rollerblade feet, and/or have jetpacks/flight capabilities.

It's a group of people that calls themselves an "Ethics Committee," and they seem to be a pretty powerful group, which dedicates itself to an anti-android/robot agenda. They hate places like The Time of Eve and can apparently have people arrested if they treat androids too much like people, too, thanks to the connections they apparently have.

What on earth? So are the humans who are arrested fined or jailed for this? Or are they taken to some sort of "reeducation" facility where they are conditioned to think "androids are not real people!"? That's scary.
 

Captain X

Well-known member
Osaul
Geneshaft
(13 episode series)

This was an okay-ish series, but mostly I found myself disappointed from the get go. The series starts off with an opening scroll not unlike Star Wars, explaining the background of the little universe the series is based in. Basically, there was some big war that nearly wiped out humanity, so the survivors formed an extremely authoritarian government and set about making the "perfect" society. Humans are now completely genetically engineered and are expressly made to fulfill a particular role within society. Emotions are likewise supposed to be limited, with love in particular being singled out for elimination. One would have thought emotions like anger and hatred would have been eliminated, but nope, just love. Oh, and they apparently decided to make the female to male ratio 9 to 1, because, well, sexism mainly. Yeah, they try to explain it all, but really it comes down to gender roles and stereotypes, not to mention an excuse to have a bridge staffed full of bridge bunnies under the command of one man.

Actually, some of the women have been specially bred to be completely emotionless in order to serve as "registers" to the few men that are around to keep track of what they say and do in order to make sure they don't get out of control, and to also do pretty much everything they are ordered to do – like a secretary and a political officer all in one. Based on the premise described in the beginning of the series, I would have thought that all of humanity would be more like the registers than what they ended up being shown as, which was essentially as normal human beings. So what could have been something like Gattaca meets Equilibrium kind of fell on its face, though to be fair that's mostly from the nonsensical charlie foxtrot way the series was executed in lieu of simply failing to live up to its own premise. While there were a few token "lessons" learned about the nature of humanity, and how abhorrent the idea of humanity becoming what to me would be a nightmare, for the most part it was like the series only paid lip service to that aspect, and wanted to be something else it just couldn't quite figure out.

On the one hand it was something more along the lines of 2001, which it copied both themes and imagery from, but on the other, it was mostly a generic anime that wanted to be funny more than anything. It tried really, really hard at being funny, too, between the insane token lolis and the stereotypical bitch fights between some of the female characters, but I was more annoyed than anything. Which is where the disappointment really comes in, because while it was obvious that this series was going to be kind of bad from the first scene on, it was also obvious that the series could have had potential in the hands of someone who took the subject matter more seriously. And on top of that, there was also a lot of good voice talent involved (speaking of the English dub) – it had both the Major and Togusa, and Spike and Jet even showed up to visit for an episode (that turned out to be basically pointless).

And just think, I haven't even gotten to the story or characters yet. ;)

The story follows protagonist Mika Seido, a teenaged girl who has just been assigned to a special mission to investigate a mysterious ring that's taken up an orbit around the moon. We're quickly introduced to some of the supporting characters, including Mika's best friend, Sofia Galgalim. But before any of them can do anything, there's a terrorist attack on the surface of the ring, which apparently provokes the ring to open fire on Earth, taking out part of the station Mika and Seido are on. Fortunately, the ship they were supposed to be posted to for their special mission was docked there, and they were able to get there before the station self destructed, presumably to prevent large debris from falling to Earth. But not before a touching scene where a character we never know and who I don't think even had a single line dies all to establish that Mika really hates her new captain, Hiroto Amagiwa, because she blames him for the death of one of her friends and is utterly convinced that he's a heartless bastard. To be fair, he and pretty much every other human in this show's universe are, though.

Geneshaft01.jpg
Too bad the Master Chief wasn't there to solve this one for them.

On the orders of a character named Lord Sneak (not kidding), humanity's newest battleship, the Bilkis, springs into action and manages to destroy the ring, but not before the ring takes out a small fleet of warships which were actually there to prevent the Bilkis from attacking on its own initiative. Lord Sneak then sends the Bilkis to the Jupiter moon Ganymede, to check out some ruins that he says are related to the rings. As you might have guessed though, he's hiding things from the crew of the Bilkis, as well as from Earth's governing "Council of Elders". I mean, who would've thought with a name like Lord Sneak that the guy would be sneaking around behind the scenes putting his own plan in to action?

The vast majority of the series pretty much just involves the Bilkis, which looks like a giant sting ray, flying around space attacking and being attacked by more of the gold rings, with the help of its giant mecha, which they, for some reason, have named "the Shaft". I'll admit that it was kind of fun playing with that name in my head, and that it was a lot more funny than any of the actual humor the series attempted, which mostly involved an insane loli forcing some computer geeks to resolve the buggy operating system of the Shaft. Then there was the other part, which was mainly about how Mika really hated Hiroto, and another bitchy woman named Mir Lotus, who is supposedly genetically perfect. Oh, and then later she suddenly starts caring about both of these people she was supposed to have hated so much, and to be frank really deserved to be hated by any sane and decent human being.

There was also a throw-away episode involving the space shuttle Columbia being transported to the future with Spike and Jet on board, all so they could meet the Mika and the others and comment on how completely messed up humanity has become. Naturally they react the way any normal human probably would by attempting to fight back against it by taking over the Bilkis, so if nothing else they can see Earth one last time. And then a ring shows up to transport them away, and nothing ever really comes from it aside from the message Gattaca gave much better.

When it comes to the characters, I have to say that I really didn't care for the vast majority of them. Really the only one I liked who didn't disappear within the same episode they were introduced in was Mario Musicanova, voiced by Crispin Freeman in the English dub, mostly just because he was the most normal and well-adjusted character. He also had a lot more interesting about him than the main character because he had become fascinated with how humanity used to be, and with the concept of love. Most everyone else was either bitchy, psychotic, obnoxious, or otherwise annoying, so I really wish in some ways that there had been more done with Mario's character.

And as an aside, damn the names on this show are lame.

Worth mentioning, I guess, is the giant mecha. I can't help but laugh at the idea of a humanoid robot being used for space combat, but I suppose something this particular giant robot has going for it is that it looks kind of unique. The Wiki article describes it as being "crane-like", but really it reminds me a lot more of a willow tree. It also reminds me a little of the derelict ship the aliens came from in Alien, which I suppose makes sense given the way this show rips off- I mean- pays homage to other sci-fis, and that the Shaft was made using plans from a mysterious race of giants. It also lacks a traditional head and has two projections of some kind mounted to its shoulders. Oh, and it's named "the Shaft", and its main weapon could almost be seen as being like ejaculation. Just saying. ;)

Believe it or not, though, I can actually do a little more analysis of this show, because it actually managed to have a little depth. Well, it wasn't really deep, per say, because it was pretty obvious, but I guess it was a little deeper than most of the bad shows I've seen. I'm not an expert on Japanese culture by any means, but that seems to be what the show is getting at, because there's a heavy emphasis on people being forced to serve roles within society as a duty and responsibility. From what I understand of Japanese culture, there also seems to be an emphasis there on that. This is contrasted by the 21st century humans that show up, who are real big on things like individuality and being able to be whatever they want to be. They also just happen to be Americans, who are generally seen as being all for those kinds of things. I guess if nothing else, it was nice to see the US in a somewhat positive light in an anime.

I think the best thing this series has going for it, though, is that it's fairly short, at only 13 episodes long, so if you really want to check this series, out, you aren't wasting as much time with it as you would be with a 26 episode series. To be honest, that's the biggest reason I stuck it out through this entire series. It did manage to have a few moments that I actually found interesting, but for the most part I wouldn't really recommend this series. It isn't horrible, but it is kind of obnoxious and disappointing. 3/10.
 
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gral

Well-known member
I think the best thing this series has going for it, though, is that it's fairly short, at only 13 episodes long, so if you really want to check this series, out, you aren't wasting as much time with it as you would be with a 26 episode series. To be honest, that's the biggest reason I stuck it out through this entire series. It did manage to have a few moments that I actually found interesting, but for the most part I wouldn't really recommend this series. It isn't horrible, but it is kind of obnoxious and disappointing. 3/10.
'Disappointing' is pretty on target for this one(although I'd rate it a 5 or a 6). I think that part of it is exactly because they knew it would be a 13-episode series, so the authors didn't develop it as much as they could.
 

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