Agent23
Ни шагу назад!
Ah, yes, when you stick some classic nuWave scifi in a blender along with your gundam collection and your concept art for Nauscaa, then throw in your suicidal depression an daddy issues.The core message of the Rebuild films seems to have been "stop watching anime, and go do something that actually contributes to society"; which speaks to a fundamental disconnect between Hideki Anno and the younger generations that have been stretched so thin by Japanese society, that they need some form of escapism to cope (which he apparently wants them to abandon, so that they can be stretched even further).
Classic Evangelion.
Then you make rebuild, which is "muh creatives" style circle jerking self-aggrandizement.
TBH I don't think crunch work and shitty life conditions weren't a thing when the OG Evangelion was made, it is so non-standard because everything was falling apart during its production, with it being used as a tax writeoff and the company execs wanting it to fail.
All this was happening right after the massive Crash that started the Japanese lost decade.Which is stretching out to become the lost half Century.
Anno has the same problem that all one shot wonder creators have, think Martin and Lukas and Strizinski.
They make something that creates a huge splash, but they can never, ever match it and it was more gardener working with interference than architect.
Yup, Japanese J. R. R. Martin, right there.The man is pretty much your quintessential, self-absorbed "auteur" creator; who simultaneously feels a desperate need to create, yet also a deep loathing for the things he creates and the people who enjoy them, and thinks he knows best as to how everyone else should live their lives.
I think his problem is that he got big by mistake.